We all think we know Paris as the capital of gothic architecture and haute couture where cruel chefs whisk food into submission and gendarmes in pill box caps direct parades of indifferent lovers. But after a single week in Paris I return to tell you that I found it to be a city where the dead and what they have to say is a lot more interesting than the sight of any living mademoiselle walking arm-and-arm under the Eiffel Tower alongside her nicotine addled beau.
So consider this a short travelogue through the spirit world of Paris; a time-lapsed, eight hour tour where you’ll wander among ghost and so witness the City of Lights; a bit of sightseeing where the sites you’ll see not only represent those who have been gone for tens or hundreds or thousands of years, but where if you listen closely you might catch a few words from these dead who will nonetheless bring Paris to life.
9:00 a.m.
We begin walking from our hotel on the left bank and soon stumble upon a neighborhood boucherie. What we see behind the glass of this butcher shop stops us cold. A rabbit, completely there except for his skin and his organs, is posed in the window as if he is about to hop. I think this must be some sort of a joke and indeed it is – it’s a joke on the recently beheaded chickens and other gutless fowl arranged around the bunny, their legs splayed as if seducing him toward a last fling in the kitchen before dinner.
The Rabbit
“What just happened here? I’m cold and I don’t really understand what is meant by these chickens. Who was it that said a rabbit’s feet are lucky? As far as I can tell I’ve still got mine, and they haven’t done me a bit of good. Damn the French. Damn the cook. All is lost, and I am food.” 10:00 a.m.
Having lost our taste for rabbit, we scuttle down the boulevard toward the Cathedral of St. Germain. Finding the church, we enter across a tongue of marble worn smooth by two millennia of sinners and saints - and sure enough the mile high chapel is crawling with both. Within ten small steps we are greeted by the statue of Saint Anthony of Padua who has been fused to the stone wall behind him by fifteen centuries of candle smoke, his shadow gone white protecting him against a wall of soot. Anthony is holding tight to the Christ Child who he has not put down for over two thousand years
Saint Anthony
“Blessed be the man who can carry God in his arms forever. But, God, are you a heavy load. I can’t put you down and I don’t think I can hold you much longer. Hey you, you with the camera, can you help a brother out and carry the son of God for a while? At least long enough for his father to come back and take him home again.”12:30 a.m.
We’ve stopped for lunch in a café, rounding the meal with glasses of red wine and cups of coffee, and now I must pee … badly. But peeing in Paris is a lost art, for the French do not believe in letting tourists use their bathrooms unless money first changes hands. I plead with shopkeepers and restaurant owners from the Ile de la Cité to Saint-Michel but they’d let me explode in a golden spray before allowing me to freely use the pissoir. At wits end, I blast into a tavern running past the glaring barkeep and instinctually tumbling down a set of back stairs at the bottom of which I find an ancient urinal oozing with the spirits of weaker American men who have died in this very spot not able to hold it a second longer.
Ghosts at the Urinal
“Abandon hope of urinating all ye who travel here; a pissoir is in sight but your bladder cannot hold out against the citizens of Paris. From the Gallic Wars to the Revolution, from World War II to the race riots of the new millennium, you will never pee freely in Paris as long as there are Frenchmen who are free.”1:00 p.m.
Seeking out the better angels of this city, we go to the Musée d’Orsay where Monets hang side-by-side with Manets and Seurats, and Gauguins share the skylight with the odd Daumier. I see a crowd forming in a gallery up ahead and I make my way to it and through it, ending up against a wall and cheek-to-jowl with the absinth green face of van Gogh. The two of us stare back at the peering crowd - 20 deep and 15 wide - and then I look at Vincent, his head turned in three quarter profile. I can see that his eyes are pleading and suspicious and he's not at all sure what has happened since he’s been gone.
Van Gogh
“I knew they would look at me, but I don’t know what they want. I’ve hidden the lost ear, but still they stare. Make them stop and I’ll paint you. Make them stop or I’ll cut off the other ear and put it in your hands.” 3:00 p.m.
Next stop is the Latin Quarter and the folio-filled inside of Shakespeare and Company. The walls here are made of books, and I kick over Kafka’s and Kerouac’s and King’s as I teeter through the trickling path between paperbacks on my way up the stairs to the second floor reading room where ten thousand books shelved over 90 years are offered to any reader with the stamina to read them here. Ginsberg and Faulkner sat here, Houdini stopped by once or twice searching for magic, and Hemmingway still argues from the shelves about the hacks of Paris who dare to call themselves writers.
Hemningway
(Musing on a new opening for a Moveable Feast)
”Then there was the bad writer. He would come in one day when the fall was over. We would have to shut the windows in the night against him or his cold prose would strip pages from the better books of the stacks. Run to the Café des Amateurs, you butcher; take your movable feast of stale ham and pulp bread and move it to the cesspool of the rue Mouffetard where it belongs.”
The sun is setting over the Pantheon and as night falls this monument is our final stop. Forget the Pantheon’s two story frescos and the above ground tomb of Saint Genevieve, for my money it’s the secular heroes buried in the basement that bring Paris to life. The tombs of Zola and Hugo, Voltaire and Madame Curie - not to mention the two Louis (both Pasteur and Braille) - along with scores of others are all here as the sun dips and we curl down the spiral steps to hear them tip the lids of their coffins and whisper thoughts about eternity that tonight will serve as our bedtime story in the City of Lights.


The Cast of the Tombs
“Boooo … Oooooo … Did we scare you? We’ll, we’d have to admit there are times when we scare ourselves, lying here on stone like chickens on the butcher’s slab. But remember, Curie still glows with radiation after 75 years, Zola continues to shout for freedom, and Hugo and Voltaire may be decomposing, but people everywhere still read what they've composed. The only real death is when you have been forgotten by the living. And miracle of miracles, you are here. You have come to us with your flowers and your fears, so what makes you think your own history is so unimportant that the people who love you now will not remember you when you are gone?”__________
Bon Soir Paris. Bon Soir to those who journeyed with us. Bon Soir to fellow spirits everywhere.







